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The Social History of Smoking

George Latimer Apperson

Chapter 12:

Another sign of the complete change which has come over the attitude of most folk towards tobacco is to be seen in the permission of smoking at meetings of committees and councils, where not so long ago such an indulgence would have been regarded as an outrage. Many of the committees of municipal councils and other public bodies now permit smoking while business is proceeding. It has even become usual for members of the House of Commons to smoke in committee rooms when the sitting is private; and cigars and cigarettes and pipes are now lighted in the lobby the moment that the House has risen. A very thin line thus separates the legislative chamber itself from the conquering weed. A further step forward (or backward, according to each reader's judgment) was taken on July 21, 1913, when smoking was allowed at the sitting of the Standing Committee on Scottish Bills—one of the committees which does not conduct its business in private. On this occasion, after the luncheon interval, two members entered the committee room smoking, one a cigarette the other a cigar. The former was soon finished; but the latter continued to shed its fragrance on the room. Naturally the chairman, Mr. Arthur Henderson, was appealed to. He gave a diplomatic reply. It had been held, he said, by two chairmen that smoking was not in order at the public sessions of a Standing Committee; and, of course, if his ruling were formally asked he would be bound to follow precedent. He said this with a suavity and a smile which disarmed any possible objector. Nobody raised the formal point of order; so other members "lighted up," and the proceedings went on peacefully to the appointed hour of closing.

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

The ballads of the period abound in rough woodcuts in which tavern scenes are often figured, wherein pewter pots and tobacco-pipes are shown lying on the table or in the hands or at the mouths of the male carousers. Men and women are figured together, but it would be very hard to find a woman in one of these rough cuts with a pipe in her hand or at her mouth. An example, in the "Shirburn Ballads" lies before me. The cut, which is very rough, heads a bacchanalian ballad characteristic of the Elizabethan period, called "A Knotte of Good Fellows," and beginning:

Come hither, mine host, come hither!
Come hither, mine host, come hither!
I pray thee, mine host,
Give us a pot and a tost,
And let us drinke all together.

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